The Unique Placement of the Harp in an Orchestra: A Special Case
The Unique Placement of the Harp in an Orchestra: A Special Case
The harp is often a striking and notable addition to an orchestra, known for its beautiful and distinctive sound. However, its placement within the orchestra is not a fixed position. Let's delve into the history and the unique circumstances that influenced one orchestra's placement of the harp harp, and explore the general rules governing its placement.
A Special Case of the Vienna Philharmonic Orchestra
It's important to note that the Vienna Philharmonic Orchestra, one of the world's most prestigious orchestras, did not allow female members until 1997. This rule included the harpist, whose placement in the orchestra required a special consideration. The harp, like any other instrument, requires a practical width configuration to accommodate its numerous strings, which span over 6? octaves and 47 strings. Consequently, the design of the harp is narrow enough that a woman's typically fine fingers cannot easily reach across the strings.
For this reason, for many decades, the harpists in the Vienna Philharmonic Orchestra were placed alongside a mass of potted plants, behind which the harpists were positioned so as to be out of sight. This creative and considerate solution allowed the orchestra to include a harp and a female harpist without violating their long-standing tradition of only allowing male members. It’s a testament to the unique challenges faced by female musicians and the ingenuity of the orchestra in addressing them.
Orchestral Harp Placement: A Matter of Conductor's Preference
While the Vienna Philharmonic's solution was a special case, the general placement of the harp is determined by the conductor's preference and the specific layout of the stage. A harp in an orchestra is usually positioned near the back of the violin section on the conductor's left, but this can vary. In some orchestras, the harp may be placed on the other side near the violas and cellos, or even positioned closer to the percussion section.
The conductor's choice is influenced by the acoustic properties of the venue and the overall aesthetic of the performance. The harp is often placed in a strategic location that enhances its sound and allows for the best possible performance. It is a matter of balancing the visual impact of the harp with its acoustic contribution to the overall sound of the orchestra.
The Harp's Unique Section Identity
It's worth noting that while the harp is often grouped with the string section due to its stringed nature, it is actually a unique section in an orchestra. The harp is its own section, performing its own distinctive roles. The harp's placement is not subordinate to the string section; instead, it is a significant and respected part of the ensemble.
When facing the orchestra, the harp is typically positioned to the left behind the second violins and next to the percussion section. This positioning is common in many orchestras but may vary based on the conductor's preference and the specific venue.
In conclusion, the placement of the harp in an orchestra is a nuanced and often customized decision, influenced by historical contexts, unique challenges, and artistic considerations. Understanding this allows us to appreciate the harp's importance and the dedication of the musicians who play it.