Dance in Vietnamese Culture: Absence or Celebration?

The question of why dance seems somewhat absent from Vietnamese culture often arises, especially when comparing it to cultures where music and dance form a significant part of daily life and celebrations. In this article, we will explore the presence and role of dance in Vietnamese culture, from traditional forms to modern practices, and discuss the cultural context that influences these practices.

Traditional Dances in Vietnamese Culture

Vietnam boasts a rich array of traditional dances that span various ethnic groups. From the Kinh ethnicity, we have dances such as múa bài bng and múa bát ?t. Other ethnic groups also have their own unique dances, contributing to the cultural diversity of the country. The nationwide dance of múa bài bng, also known as the scarecrow dance, and the acrobatic dance múa bát ?t, have been performed since the 20th century and continue to be part of Vietnamese cultural heritage.

Legacy Despite Adversity

Notably, even during periods of significant cultural and political upheaval, such as the Vietnam War, dance continues to be performed. This resilience underscores the deep-rooted importance of traditional dances in Vietnamese culture, suggesting that these forms of expression are cherished and valued beyond their immediate social context.

Definition and Cultural Significance

The apparent absence of dance in Vietnamese culture might stem from a broader definition of what constitutes "dancing" in the context of cultural practices. Unlike some Latin American cultures, where dance is an integral part of everyday life and celebrations, Vietnamese culture traditionally views dance as a form of performance. This distinction leads to the perception that dance is something reserved for specific individuals, such as performers, rather than a communal activity.

Moreover, Vietnamese people tend to be more reserved and less inclined to perform impromptu dances. This characteristic is often reinforced by social norms and values that prioritize modesty and propriety. Consequently, the frequency and public display of dancing in Vietnamese culture may be lower compared to cultures where spontaneous dance performances are more common.

Modern Dancing in Contemporary Vietnam

The landscape of dancing in contemporary Vietnam has seen significant changes. In recent years, there has been a surge in interest in various dance forms, particularly among the younger generation. Clubs in cities like Hanoi showcase vibrant dance floors where young people enjoy dancing to modern music, mirroring trends found in Western countries. This trend indicates a growing appreciation for dance as a social and cultural activity.

Interestingly, the older generation in Vietnam is also actively involved in dance, particularly in forms like Tai Chi. Tai Chi, while recognized as a form of exercise in Vietnam, is often performed with a strong emphasis on the rhythmic and choreographed aspects, thus bearing a close resemblance to traditional dance. Observers can often witness groups of older adults practicing Tai Chi or other forms of rhythmic exercise in public spaces, such as the lake areas in Hanoi, from dawn till early morning. This early-morning practice not only promotes physical well-being but also serves as a communal activity, fostering a sense of unity and cultural heritage.

Conclusion

The apparent absence of dance in Vietnamese culture may be more a matter of definition and context than a reflection of its true significance. Traditional dances, while not as ubiquitous as in some other cultures, are a vital part of Vietnamese cultural heritage. Modern trends and the active participation of the older generation in dance-like practices suggest that the role of dance in Vietnamese culture is evolving. As society continues to change, so too does the way Vietnamese people engage with and appreciate dance, reflecting a rich and dynamic cultural tapestry.