Catholic and Protestant Reactions to 'Jesus Christ Superstar'

When does a respected religious figure from history meet the stage? The 1970 Broadway musical Jesus Christ Superstar (JCSS) presented a unique take on the life and death of Jesus Christ, inevitably causing a mix of reactions among believers, including Christians and their churches, both Protestant and Catholic.

Introduction

The musical's innovative approach and rock music influences garnered significant attention. But it was controversial, especially regarding its interpretation of certain aspects of the life of Jesus Christ. This article delves into the reactions and responses from different Christian denominations and their respective congregations to the release of Jesus Christ Superstar.

Methodist Reaction

The Methodist Church, a Protestant denomination, had its members experiencing mixed emotions. In 1971, a family's grandmother took her Methodist church group to see JCSS at the Hollywood Bowl. The intent was perhaps to educate or influence them through the music, but the outcome was different. The ladies in attendance seemed quite entertained by the musical until a pivotal moment, when King Herod's song “Prove to me that you’re no fool, walk across my swimming pool” created a scene. The lyrics were met with shocked or incredulous laughter, rather than the intended solemnity.

Catholic School Experience

For those in a more faith-focused environment like a Catholic school, the reception was quite different. In the 1970s, I, still in my final year of Catholic education, was introduced to Jesus Christ Superstar in a world religions class. This was irony in itself, as we were studying the various world religions at the time, and this musical had apparently slipped into our curriculum without proper vetting.

Negative Points Raised

The presumed relationship between Jesus and Mary Magdalene was described as scandalous. The role of Judas Iscariot was portrayed as tragic and tormented, rather than a simple traitor. The treatment of Roman-Jewish political issues was deemed confusing. The opera emphasized celebrity status, which was seen as disrespectful. The fact that it ended with the Crucifixion instead of the Resurrection was considered a distant artistic choice.

These "negatives," however, were seen by some as positives, leading to a deeper understanding of the Biblical narrative. Despite the critical points, the music and lyrics resonated with the students and were embraced.

Conclusion

Like the Methodist listeners in the Hollywood Bowl, the experiences in a Catholic school setting highlight the varying shades of response when sacred history meets the modern entertainment world. Whether viewed as a teaching tool or a cultural milestone, Jesus Christ Superstar continues to capture the imagination of audiences, even today. For many, it remains an enduring connection to the protagonist and the time that defined His life.