Bharatanatyam and Other Indian Classical Dances: Myths and Reality of Masculinity

When it comes to the perceptions surrounding Bharatanatyam and other Indian classical dance forms, many people, particularly men, have preconceived notions about their impact on one's behavior and gender expression. One popular belief is that engaging in these dances can make men look effeminate, which might be due to practices such as the anterior pelvic tilt observed in some dancers. However, the reality is more nuanced, and it is essential to understand the proper context and intention behind the art form.

Myths and Realities of Masculinity in Dance

Firstly, it is crucial to separate the myth from the reality. Learning Bharatanatyam or other Indian classical dance forms does not inherently lead to an effeminized appearance or demeanor. The concern often lies in how the art is perceived and performed.

Perceptions of Effeminacy in Dance

The obsession with effeminacy in the context of dance is a result of societal and cultural biases. Many who observe dancers, particularly male ones, might see movements that appear more feminine due to stylization. Even the renowned dance pose of Lord Nataraja, the Dance of Adishankara, is celebrated for its masculine grace and fearlessness rather than femininity. This iconic dance posture is emblematic of power, control, and courage, not frailty or weakness.

Proper Stylization and Portrayal Techniques

The portrayal of dance, whether in Bharatanatyam or other classical forms, is deeply rooted in stylization. A well-versed guru or teacher can ensure that every student, regardless of gender, learns to maintain a balance between movement and stance. The academic and technical aspects of dance are crucial in steering the art form away from any perceived effeminacy towards a strong, masculine representation.

Personal and Cultural Context

It is also important to consider the individual and cultural contexts within which the dance is performed. Many men who practice Bharatanatyam, whether for cultural enrichment or as a profession, maintain a strong sense of masculinity regardless of their dance techniques. The key lies in the controlled and intentional portrayal of the art, which can be both graceful and powerful.

As one instructor, emphasizing the traditional value, mentioned, 'My sir is quite a lot manly, and that's just the way you portray yourself.' This statement underscores the importance of control and intention in the art of dance. Every movement and every posture should be performed with a clear sense of purpose and personal identity, ensuring that the dance enhances, rather than detracts from, the dancer's individuality and masculinity.

Conclusion

The idea that learning Bharatanatyam or other Indian classical dance forms makes men more effeminate is a misperception. The true essence of these dances lies in their ability to convey power, grace, and control, qualities that are universally recognized as masculine. Through the guidance of experienced gurus and a focus on proper technique, men can perform these dances with the confidence and strength that reflect their true character.

Keywords: Bharatanatyam, Indian classical dance, masculinity