Abstract Art Orientation: Do Artists Care When Their Work Is Hung Incorrectly?

Abstract art presents a unique challenge and often beauty in detailing how an artwork can be viewed. Unlike realistic or representational art, where the viewer looks for a specific subject or scene, abstract art relies on shapes, forms, colors, and lines to convey meaning and emotion. This vagility in viewer interpretation can lead to differing opinions on whether abstract art should be hung in a specific orientation. Letrsquo;s explore the perspectives of modern abstract artists and owners.

Paradigms of Abstract Art Orientation

According to museum standards, true abstract art should be able to be viewed from any direction, much like a sculpture. The work's essence remains even when rotated or hung upside down. This flexibility is intentional, as it allows for multiple interpretations and a broader audience to find meaning in the piece. Artists often turn the canvas as they work, emphasizing that the work's inherent qualities remain consistent regardless of the orientation.

One example is A.N. Glassberg, who mentions that some artists don't mind their works being hung differently. He recounts the anecdote of Vassily Kandinsky, who disoriented himself by viewing one of his own paintings turned on an angle in his studio. This experience led to his discovery of non-object abstraction, as he perceived only forms, lines, and colors, devoid of any recognizable subject or scene.

Common Errors and Artist Reactions

Despite the museum's standards, mistakes can occur. On October, a Piet Mondrian painting in the Museum of Modern Art (MoMA) in New York City was discovered to have been hanging upside down for decades. Fortunately for Piet, who passed away in 1944, it likely didn't matter to him. Similarly, Georgia Orsquo;Keeffe's paintings The Lawrence Tree (1929) and Oriental Poppies (1928) were hung incorrectly in the 1980s but were later rectified.

It is believed that such errors are common but not inherently detrimental. If artists or their representatives find out, there is often an upset, including the artist. However, some artists might not care, especially if they are not aware or if the piece has been in a private collection.

Handling Misorientations in Galleries

Most quality galleries and museums ensure that artworks are hung according to the artist's specifications. However, smaller venues or private collections might not have professional hanging teams, which can lead to such errors. Such issues are often handled carefully by contacting the artist or the artist's representative for guidance.

Conclusion

While it is understandable for many to take offense when abstract art is hung in an incorrect orientation, the true essence of abstract art lies in its interpretive nature. The meaning and mood of the work remain intact regardless of its hanging position. This flexibility is one of the strengths of abstract art, allowing for personal interpretation and connection with the viewer.

So, if you find yourself upset when you see abstract art hung incorrectly, remember that it might be a new perspective that the artist intended or an interesting angle that adds to the work's intrigue. After all, the ultimate goal of abstract art is to evoke emotion and thought, not to follow rigid conventions.